Hails from Madison, WI. She graduated Magna Cum Laude from Wright State University with a B.F.A. in dance. Tilly trained with the Dayton Contemporary Dance Company II, joining their first company her senior year. She most recently performed with Sonya Tayeh’s “You’ll still call me by name” at New York Live Arts in New York. Last season she was a company member with Spectrum Dance Theater+Donald Byrd, performing in the 1991 Bessie Award-Winning production of “The Minstrel Show,” participating in the “Raceish” season, which received the Globalist award. Tilly has received outstanding choreography awards at Dreamstar competition and Midwest stars and was selected to choreograph for “the Intimate Series” and “Broadway for All” in NY this past fall. Tilly joined BODYTRAFFIC in 2016.
Raised in Oklahoma and started dancing at the age of nine. He trained with Ballet Oklahoma, Houston Ballet, Bolshoi Ballet Academy, The Edge Performing Arts Center (LA), and Lou Conte Dance Studio. James moved to Chicago to dance with River North Chicago Dance Company in 1999. He was with RNCDC for several years before moving to MontrÈal, where he danced with Les Ballet Jazz de MontrÈal. He has performed the works of many renowned choreographers including Aszure Barton, Mauro Bigonzetti, Frank Chaves, Danny Ezralow, Harrison McEldowney, Mia Michaels, Annabelle Lopez Ochoa, Rodrigo Pedernieras, Crystal Pite, Victor Quijada, and Edgar Zendajas. James started choreographing as a youngster in school but really found his passion when he arrived in Chicago, where he dove into working with different dancers and companies. He has set works on River North Chicago Dance Company, Northwest Dance Project’s Pretty Creatives Competition, Les Ballet Jazz Workshop, and for Springboard Danse Project. James joined BODYTRAFFIC in 2015.
Born in Chicago, Illinois. Kudra began his training at the age of nine at the American Dance Center under the direction of Jack and Kathleen Villari. He has worked with River North Chicago Dance Company, DanceWorks Chicago, Luna Negra Dance Theatre, and most recently Cedar Lake Contemporary Ballet. Kudra has performed works by choreographers such as Robert Battle, Sidi Larbi Cherkaoui, Alexander Ekman, Andonis Foniadakias, Emanuel Gat, Johan Inger, Alex Ketley, Jiri Kylian, Crystal Pite, Gustavo Ramirez Sansano, Hofesh Shechter, Jo Stromgren, Christian Spuck, and Edgar Zendejas. Joseph joined BODYTRAFFIC in 2015.
Lindsey Matheis is from North Carolina and trained primarily at UNC School of the Arts as well as LINES Ballet, Cedar Lake, Alvin Ailey, Hubbard Street, SF Conservatory, and Batsheva Dance Company. Upon completion of the LINES Ballet training program in 2009, she joined Northwest Dance Project under the directorship of Sarah Slipper. There, she performed original roles in works by Danielle Agami, Patrick Delcroix, Gregory Dolbashian, Loni Landon, Andrea Miller, Jiří Pokorný, Benoit-Swan Pouffer, Ihsan Rustem, Didy Veldman, Kate Wallich, Wen Wei Wang, Yin Yue, Edgar Zendejas, and others. Her choreography has been commissioned for Northwest Dance Project, SALT Contemporary Dance, Missouri Contemporary Ballet, Brigham Young University, and Western Washington University. Her work has been presented by several dance festivals including Chop Shop, Dance +, and Men in Dance. In addition, she has produced/directed three independent dance festivals in Portland, Oregon, one of which was named “Best in Dance 2013” by Willamette Weekly. Lindsey joined BODYTRAFFIC in 2015.
Hails from Las Vegas, Nevada, where he studied at the Dance Zone under the direction of Jami Artiga and Kaydee Francis. Rich graduated from the Las Vegas Academy of International Studies, Performing and Visual Arts in 2004. From 2005 through 2015 Rich danced with Cedar Lake Contemporary Ballet in New York City, working with world renowned choreographers such as Ohad Naharin, Crystal Pite, Hofesh Schechter, Sidi Larbi Cherkaoui, Jacopo Godani, and Alexander Ekman, among others. Rich has also appeared in the 2011 Hollywood Motion Picture The Adjustment Bureau with Matt Damon and Emily Blunt. Matthew joined BODYTRAFFIC in 2015.
Started dancing at the International School of Dance of Carmen Roche Scaena in Madrid on a scholarship sponsored by the Ministerio de Cultura de Madrid. Guzmán danced with Ballet Joven de Carmen Roche until 1999, when he was offered a scholarship to attend the School of American Ballet (SAB). After his time at SAB, Edward Villella invited him to dance with Miami City Ballet. From 2002 to 2007, Guzmán danced with Companhia Portuguesa de Bailado Contemporaneo. In 2007, with André Mesquita and Teresa Alves da Silva, Guzmán co-founded a cultural platform, Tok’Art. He has performed extensively as a guest artist throughout Europe. He teaches ballet, yoga, and movement workshops. Guzmán is currently BODYTRAFFIC’s resident filmmaker and has won awards for his film work. Guzman joined BODYTRAFFIC in 2012.
Joseph was born and raised in the beautiful hills of upstate New York, and can be easily identified from a distance by his cacophonous laughter. He began his studies at The Draper Center for Dance Education in Rochester, New York and continued his training at The Juilliard School on tuition scholarship from New York City Dance Alliance, where he received his BFA under the direction of Lawrence Rhodes. Joseph has had the opportunity to perform works of Jíri Kylián, Crystal Pite, Sol Leon and Paul Lightfoot, Kyle Abraham, Shannon Gillen, Twyla Tharp, Martha Graham, José Limón, Camille A. Brown, Joeri Dubbe and Sylvain Emard. He has also performed alongside Brian Brooks Moving Company at New York City Center’s Fall for Dance festival, and in Kate Weare’s residency at BAM Fisher Hall. Joe joined BODYTRAFFIC in 2016.