began dancing at age 10 in his hometown of Apopka, Florida. He trained with Duvall Dance academy and furthered his education with the dance magnet program at Dr. Phillips High School. Lorrin has participated in various intensives and programs such as Bates Dance Festival, Summer Stages, Lines Ballet, BODYTRAFFIC, Springboard Danse Montreal, and Axis Connect. Lorrin has had the honor of performing works by Jose Limon, Lar Lubovitch, Jerome Robbins, Mark Morris, Aszure Barton, and Peter Chu. He has also had the honor of presenting new creations by LeeWei Chao, Camille A. Brown, Brian Brooks, Ginette Laurin, Zvi Gotheiner, Matthew Neenan, and Peter Chu. Lorrin graduated with a Bachelors in Fine Arts from The Juilliard School in 2017. He is thrilled to be joining BODYTRAFFIC for the 2017-2018 season.
Joseph was born and raised in the beautiful hills of upstate New York, and can be easily identified from a distance by his cacophonous laughter. He began his studies at The Draper Center for Dance Education in Rochester, New York and continued his training at The Juilliard School on tuition scholarship from New York City Dance Alliance, where he received his BFA under the direction of Lawrence Rhodes. Joseph has had the opportunity to perform works of Jíri Kylián, Crystal Pite, Sol Leon and Paul Lightfoot, Kyle Abraham, Shannon Gillen, Twyla Tharp, Martha Graham, José Limón, Camille A. Brown, Joeri Dubbe and Sylvain Emard. He has also performed alongside Brian Brooks Moving Company at New York City Center’s Fall for Dance festival, and in Kate Weare’s residency at BAM Fisher Hall. Joe joined BODYTRAFFIC in 2016.
Raised in Oklahoma and started dancing at the age of nine. He trained with Ballet Oklahoma, Houston Ballet, Bolshoi Ballet Academy, The Edge Performing Arts Center (LA), and Lou Conte Dance Studio. James moved to Chicago to dance with River North Chicago Dance Company in 1999. He was with RNCDC for several years before moving to MontrÈal, where he danced with Les Ballet Jazz de MontrÈal. He has performed the works of many renowned choreographers including Aszure Barton, Mauro Bigonzetti, Frank Chaves, Danny Ezralow, Harrison McEldowney, Mia Michaels, Annabelle Lopez Ochoa, Rodrigo Pedernieras, Crystal Pite, Victor Quijada, and Edgar Zendajas. James started choreographing as a youngster in school but really found his passion when he arrived in Chicago, where he dove into working with different dancers and companies. He has set works on River North Chicago Dance Company, Northwest Dance Project’s Pretty Creatives Competition, Les Ballet Jazz Workshop, and for Springboard Danse Project. James joined BODYTRAFFIC in 2015.
Began training at various dance schools in the Los Angeles area including company work with Westside Dance Project in Redondo Beach, and Pacific Festival Ballet in Agoura Hills. She continued training at the Miami City Ballet School and Alonzo King LINES Ballet Training Program. Leibert has attended workshops and programs at the San Francisco Conservatory of Dance, the Joffrey Ballet School, the School of American Ballet, Pacific Northwest Ballet and the Juilliard School, in addition to Nederlands Dans Theater and Batsheva Dance Company. Natalie joined Hubbard Street 2 as an apprentice in August 2014 and was promoted to full company member in August 2015 through 2016. Natalie joined BODYTRAFFIC in 2016.
holds a BFA in Ballet as well as a BS in Exercise Physiology from the University of Utah. She received additional training from Alonzo King LINES Ballet, the San Francisco Conservatory of Dance, and the Washington Ballet. Past projects include LED, SALT Contemporary Dance, and Oakland Ballet Company, performing the work of Lauren Edson, Gabrielle Lamb, Brendan Duggan, and Garrett Smith, among others. Jessica has presented choreography at Mudson, a Salt Lake City-based works-in-progress series, and choreographed for Municipal Ballet, Boise Dance Co-Op, and summer intensives for the University of Utah’s Ballet Department, Ballet West, and Boise State University. Additionally, she served as the assistant director of SALT II, the second company of SALT Contemporary Dance. Jessica joined BODYTRAFFIC in 2017.
Lindsey Matheis is from North Carolina and trained primarily at UNC School of the Arts as well as LINES Ballet, Cedar Lake, Alvin Ailey, Hubbard Street, SF Conservatory, and Batsheva Dance Company. Upon completion of the LINES Ballet training program in 2009, she joined Northwest Dance Project under the directorship of Sarah Slipper. There, she performed original roles in works by Danielle Agami, Patrick Delcroix, Gregory Dolbashian, Loni Landon, Andrea Miller, Jiří Pokorný, Benoit-Swan Pouffer, Ihsan Rustem, Didy Veldman, Kate Wallich, Wen Wei Wang, Yin Yue, Edgar Zendejas, and others. Her choreography has been commissioned for Northwest Dance Project, SALT Contemporary Dance, Missouri Contemporary Ballet, Brigham Young University, and Western Washington University. Her work has been presented by several dance festivals including Chop Shop, Dance +, and Men in Dance. In addition, she has produced/directed three independent dance festivals in Portland, Oregon, one of which was named “Best in Dance 2013” by Willamette Weekly. Lindsey joined BODYTRAFFIC in 2015.
Hails from Las Vegas, Nevada, where he studied at the Dance Zone under the direction of Jami Artiga and Kaydee Francis. Rich graduated from the Las Vegas Academy of International Studies, Performing and Visual Arts in 2004. From 2005 through 2015 Rich danced with Cedar Lake Contemporary Ballet in New York City, working with world renowned choreographers such as Ohad Naharin, Crystal Pite, Hofesh Schechter, Sidi Larbi Cherkaoui, Jacopo Godani, and Alexander Ekman, among others. Rich has also appeared in the 2011 Hollywood Motion Picture The Adjustment Bureau with Matt Damon and Emily Blunt. Matthew joined BODYTRAFFIC in 2015.
Started dancing at the International School of Dance of Carmen Roche Scaena in Madrid on a scholarship sponsored by the Ministerio de Cultura de Madrid. Guzmán danced with Ballet Joven de Carmen Roche until 1999, when he was offered a scholarship to attend the School of American Ballet (SAB). After his time at SAB, Edward Villella invited him to dance with Miami City Ballet. From 2002 to 2007, Guzmán danced with Companhia Portuguesa de Bailado Contemporaneo. In 2007, with André Mesquita and Teresa Alves da Silva, Guzmán co-founded a cultural platform, Tok’Art. He has performed extensively as a guest artist throughout Europe. He teaches ballet, yoga, and movement workshops. Guzmán is currently BODYTRAFFIC’s resident filmmaker and has won awards for his film work. Guzman joined BODYTRAFFIC in 2012.
was raised in Atlanta, GA and began his training at Dance Makers of Atlanta under the direction of Denise and Lynise Heard. He studied as a scholarship student at Virginia School of the Arts and trained in intensive programs at Kirov Academy of Ballet, Nashville Ballet, Martha Graham School of Contemporary Dance, Dance Theatre of Harlem, and London Contemporary Dance School. In 2011, Mr. White received a B.F.A. in Dance Performance from Southern Methodist University, where he performed works by Arthur Mitchell, George Balanchine, Pascal Rioult, Alvin Ailey, Robert Battle, and Martha Graham. He has also performed in Rasta Thomas’ Rock the Ballet, Missouri Ballet Theater, Lar Lubovitch Dance Company, Alvin Ailey II, and Collage Dance Collective. Jamal joined BODYTRAFFIC in 2017.