BODYTRAFFIC is pleased to announce our 2017 Summer Program with Co-Artistic Director Lillian Barbeito and international guest artists: Sam Coren, Anouk van Dijk, Robert Dekkers, Ihsan Rustem, Yin Yue, plus filmmaker Grant Barbeito at Loyola Marymount University.
This five-week intensive is comprised of technique, improvisation, repertory, creative process, and the creation of an original dance film. It is designed for advanced/professional dancers and choreographers (18+) seeking artistic and technical breakthroughs.
Week 1 – Anouk van Dijk .
Monday, June 19 through Thursday, June 22
10:00 – 11:45 Countertechnique Class
12:00 – 1:00 Countertechnique Tool Box
1:45 – 4:00 Chunky Move Repertory & Creation
Week 2 – BODYTRAFFIC
Monday, June 26 through Saturday, July 1
9:30-11:30 Technique with Lillian or Guzman
11:30-1:30 Repertory with Lillian and Guzman
2:30-5:30 Improvisation, Repertory, Creation with Lillian and Guzman
Filmmaker Grant Barbeito works with BODYTRAFFIC Co-Director Lillian Barbeito and senior company member Guzman Rosado to create an original dance film starring participants. Each day will include progressive ballet, repertory, creation, and filming.
Week 3 – Robert Dekkers and Yin Yue
Monday, July 3 through Saturday, July 8
9:30 – 11:00 Technique
11:00 – 1:30 Repertory and Creation
2:30 – 5:30 Repertory and Creation
Week 4 – Phil Hulford
Monday, July 10 through Friday, July 14
9:30 – 10:30 Hofesh Shechter improvisation methods
10:30 – 1:00 Hofesh Shechter Repertory
2:00 – 4:30 Creation
Week 5 – Ihsan Rustem
Monday, July 17 through Friday, July 21
9:30 – 11:00 Technique
11:00 – 1:00 Existing Repertory
2:00 – 4:30 Creation
Email statement of interest indicating which week(s) you are applying for, along with supporting materials such as: head shot, body shot, resume or cv, biography, and video links to: firstname.lastname@example.org Applications will be accepted until the program is at capacity.
Selected participants are required to submit a non-refundable security deposit in order to hold their space. The deposit includes a one-time processing fee of $25.
Full-tuition and partial-tuition scholarships will be awarded to exceptional contemporary dancers between ages of 18 and 24. Only dancers who are enrolling in all 5 weeks are eligible. To be considered for a scholarship, send the following along with your application: statement of financial need, proof of age, and 2 letters of recommendation. Scholarship applications are due on or before April 15, 2017. Scholarship applicants will be notified of financial aid status on or before April 30, 2017.
$625 | one week
$1200 | two weeks
$1725 | three weeks
$2200 | four weeks
$2625 | entire program
$250| one week
$425 | two weeks
$550 | three weeks
$750 | four weeks
$800 | entire program
EARLY ENROLLMENT DISCOUNT
Dancers who apply and are selected to participate in all five weeks will receive a $100 discount if tuition is paid in full on or before March 31st, 2017.
ABOUT THE GUEST ARTISTS
ANOUK VAN DIJK
Van Dijk spent the first ten years of her career as a prominent dancer in the Netherlands. From early on, she was attracted to the creation of performance and from 1996 committed herself exclusively to the conception, creation and performance of her own work. After running her own Amsterdam-based company for 15 years, she was appointed Artistic Director of Chunky Move (Melbourne, Australia) in 2012.
Using contemporary Australian culture, social commentary and the tension between community and the individual as its springboard, Chunky Move’s artistic vision is driven by an investigation into the multifaceted possibilities of the body and its relationship to place, context and environment. Chunky Move is defined by its unpredictability and strives to explore the many possibilities of contemporary dance through cross-genre collaborations and cultural exchange.
Anouk van Dijk’s body of work provides an insight into the many facets of the human experience through the lens of contemporary dance. Defined by a pronounced physical language, the work itself ranges from intensely physical, abstract dance productions, to raw and concrete theatrical encounters. Her multilayered approach is reflected in the works she created for Chunky Move since 2012, ranging from site-specific works such as An Act of Now (2012) and Depth of Field (2015), to collaborations with German director / playwright Falk Richter in Complexity of Belonging (2014) and Singaporean multimedia artist / film maker Ho Tzu Nyen in Anti-Gravity (2017), to works staged for more conventional theatre spaces such as 247 Days (2013) and Rule of Thirds (2016).
Countertechnique is central to the foundation of Anouk van Dijk’s work and the training of her dancers. Countertechnique is a movement system to help the dancer think about the dancing body, focusing on the process of incorporating information into action. Within a clear structure of exercises, the Countertechnique class thoroughly prepares the body for rehearsal and performance, enabling dancers to move bigger, more fluidly and more spatially, while becoming stronger and more flexible. Through the biennial Countertechnique Teacher Trainer program, Anouk van Dijk and Master Teacher Nina Wollny trained 26 Countertechnique teachers to date, six of whom are based in the USA.
Anouk van Dijk’s workshop starts with a Countertechnique class, which stretches, coordinates and strengthens the body, making the dancer sweat, build stamina and really move. The class is followed by a Countertechnique Practical Tools workshop, where selected tools from the Countertechnique Toolbox are investigated in depth. After lunch, you will learn current Chunky Move repertoire, referencing the Countertechnique tools, as well as creating new movement material. The workshop will have a final presentation at the end.
Named “25 To Watch” by DANCE Magazine and dubbed a “mad genius” by Huffington Post, Robert Dekkers is founder and artistic director of Post:Ballet. Collaborating with eclectic artists to present programming that is “decidedly daring” (SF Arts Monthly) and “anything but risk averse” (SF Chronicle), Robert has created a range of new works for Post:Ballet together with artists working in cinematography, architecture, visual art, graphic motion, costuming, and new music.
The company was named “Best New Dance” of San Francisco by 7×7 Magazine in 2010 and has been nominated for three Isadora Duncan Awards for performances in Dekkers’ works field the present shifts, Yours is Mine, and Sixes and Seven. Robert’s critically acclaimed trio Flutter was recently featured at Jacob’s Pillow Dance Festival, and his 2012 work for the company, Mine is Yours, premiered at the San Francisco International Arts Festival. Other works for the company include Tassel (featuring an original score by Anna Meredith and presented in collaboration with The Living Earth Show); Colouring (with painter Enrique Quintero, photographer Natalia Perez, and composer Daniel Berkman); and Interference Pattern (with cinematographer Amir Jaffer).
Atlanta Ballet’s Wabi Sabi commissioned Robert to create Yours is Mine, featuring composer Jonathan Pfeffer’s “Bodega” performed live by Sonic Generator, Lushlife, and Yikes the Zero. Robert was also commissioned by Kansas City Ballet to create Reason does not know, which features an original score by Pfeffer. He has created new works for Smuin Ballet, San Jose Dance Company, San Jose State University, Southern Methodist University, and Quixotic/Fusion, where he continues to serve as guest choreographer. In 2012, Robert choreographed and directed a full-length Alice in Wonderland for Contra Costa Ballet in collaboration with composer Daniel Berkman.
Robert was resident choreographer for Novaballet from 2008-2009, and was appointed resident choreographer for Diablo Ballet in 2013. His choreography has been presented at venues including the Tanzsommer Festival (Vienna), the Ballet Builders Showcase (New York City), Against the Grain (Seattle), and West Wave Dance Festival (San Francisco).
Robert danced professionally with Ballet Arizona, ODC/Dance, Company C Contemporary Ballet, and Diablo Ballet. He was nominated for an Isadora Duncan Award for “Outstanding Performance- Individual” for his 2012-13 season with Diablo Ballet, where he danced leading roles in works by choreographers including George Balanchine, José Límon, Val Caniparoli, KT Nelson, Trey McIntyre, Septime Webre, and Mario Radacovsky. Robert has also performed work by Twyla Tharp, August Bournonville, Maurice Causey, Lar Lubovitch, Jodie Gates, Ib Andersen, Paul Taylor, Brenda Way, and Julia Adam.
Robert is a faculty member at Berkeley Ballet Theater, and regularly teaches company classes for LINES Ballet, Smuin Ballet, Diablo Ballet, and ODC/Dance. In addition to his work as a choreographer, teacher and dancer, he holds a degree in business from Rio Salado College.
Born in Bolivia, South America to British parents in 1985, lived there until he moved back to London at age 10. He trained in gymnastics from age 4 to 13 competing at a national level, that took him to the world of extreme sports and thrill seeking as one of his main passions. All through his life he has danced for fun but when I turned 18 an instinct or a voice within led him to search further. So he auditioned to schools, got in, met a man called Hofesh Shechter and a woman called Helen Shute who he really owes his career to!
Since Feb 2016 he is a freelance movement artist. I say movement artist because I am looking for challenge in physical theatre, acting, motion capture, parkour, fitness training, as well as dance! I’m ambitious, but with a head on my shoulders and a beautiful family holding it up! I love movement done well, with heart and honesty.
Choreographer Ihsan Rustem was born in London, where he trained at the Rambert School of Ballet and Contemporary Dance. Rustem began his professional career at the age of 17, joining Matthew Bourne’s Adventures in Motion Pictures, followed by engagements with Ballett Theater Munich (Staatstheater am Gärtnerplatz) and Introdans in The Netherlands. Since 2007 he has been based in Switzerland, as a founding member of the State Theater Bern Ballet and the Tanz Luzerner Theater.
During this period, Ihsan originated roles in creations by Wayne McGregor, Hofesh Shechter, Alexander Ekman, Matthew Bourne, Stijn Celis, Patrick Delcroix, Cayetano Soto, Felix Landerer, Guilherme Bothello and worked with choreographers Mats Ek, Jiri Kylián, Paul Lightfoot / Sol Leon, Hans van Manen and William Forsythe, amongst others.
In 2010 Sarah Slipper invited Ihsan to Portland, Oregon USA, where he created ‘State of Matter’ for the Northwest Dance Project, a piece which went on to win both the 2012 Sadler’s Wells Global Dance Contest and the Audience Choice Award at the 25th International Competition for Choreographers Hannover. Since 2015 Ihsan has held the position of Resident Choreographer for the NW Dance Project. In 2016 he was appointed Artistic Director for the Dance Art Studio Ballet School in Lucerne, Switzerland.
Rustem was the 2014 recipient of Hubbard Street Dance Chicago’s International Commissioning Project and a winner of Whim W’him’s Choreographic Shindig 2015. He was a featured choreographer for Russia’s TV show ‘The Bolshoi Ballet’.
To date, Ihsan has created works for Hubbard Street Dance Chicago 2 (USA), Northwest Dance Project (USA), Istanbul State Ballet MDT (Turkey), Tanz Luzerner Theater (CH), Kazan State Opera and Ballet (Russia), Whim W’Him (USA), Ballet Regensburg (DE), Würzburg Ballett (DE), National Youth Dance Company (UK), Aksanat Istanbul, Cinevox (CH), DSC Company Faenza (IT), BYU Contemporary Dance Theater (USA), BYU Theatre Ballet (USA), Interdans (BE), Palucca Schule Dresden (DE), ArtEz Dansacademie Arnhem (Highschool for the Arts Arnhem, NL) and the Dance Art Studio Luzern (CH).
Ihsan Rustem has taught workshops and classes for the Zeynep Tanbay Dance Project (Istanbul, Turkey), Companhia Portuguesa de Bailado Contemporâneo (Lisbon, Portugal), Istanbul State Ballet (Turkey), MDTistanbul Project (Turkey), Northwest Dance Project (Portland, USA), Zurich Hochschule der Künste (Switzerland), Whim W’Him (Seattle, USA), Palucca Hochschule Für Tanz (Dresden, Germany), Brigham Young University (Utah, USA), Tanz 101 Zurich, ArtEz Dansacademie (Arnhem, Netherlands), Interdans Festival (Belgium), Musical Factory (Lucerne, Switzerland) and the Dance Art Studio Lucerne.
Born and raised in Shanghai, China, she trained rigorously in technically-demanding and highly-structured Chinese classical and folk dance, as well as classical ballet technique, at the Shanghai Dance School. She earned her undergraduate degree at Shanghai Normal University, equipping her with performance credits that spanned festivals and showcases throughout China. After further pursing her MFA in dance from NYU’s Tisch School of The Arts in 2008, Yin quickly gained recognition as a unique and exceptional talent among her peers. Yin created an innovative contemporary dance technique FoCo (Folk-Contemporary) Technique that soon caught the attention of the dance world.
Yin Yue is currently a 2016 Artist In Residence at 92Y Dance Center, providing her and her company a rehearsal platform for creating new thought-provoking choreographic works. In the summer, she was awarded First Place in Choreography at the 2016 Shanghai Professional Performance Competition. Yin Yue was the winner of Hubbard Street Dance Chicago 2015 International Commissioning Project, winner of the 2015 BalletX Choreographic Fellowship, and winner of Northwest Dance Project’s 5th Annual Pretty Creatives International Choreographic Competition in 2013. Through these high-profile successes, Yin was commissioned by all three widely-recognized companies to create new works on the respective companies which subsequently premiered and performed on multiple platforms. She was also selected as Emerging Choreographer of 2015 Springboard Danse Montreal, as well as a finalist at The A.W.A.R.D Show 2010! presented by New York The Joyce Theater Foundation. Her work has been recognized by organizations and festivals such as Jacob’s Pillow Dance Inside Out Festival, Schrittmach 2016 Festival in Aachen, Germany, New York International Fringe Festival, DanceNOW[NYC] at Joe’s Pub, Peridance Capezio Theater, New York Live Arts, Dixon Place, La MaMa Moves International Festival and many more.
Yin Yue was recently invited to spent 2 weeks with New Dialect dance company in Nashville as guest choreographer. She created a new work that premieres November 11 2016 at the Tennessee Performing Arts Center in Nashville.
Yin Yue currently holds the position of Artistic Director and residency choreographer at Jiangxi Zhongshan Dance School. Founded in 1996 and located in Nanchang in Jiangxi province in China, the school is the only private-run educational organization ranked among top Chinese professional dance schools. Its curriculum includes a 6-year Chinese dance and ballet program.
LILLIAN ROSE BARBEITO
Co-Director of BODYTRAFFIC. She is a native of Santa Fe, New Mexico where she trained with the Santa Fe Dance Foundation and worked with The Santa Fe Chamber Music Festival, Southwest Ballet and the Santa Fe Opera. She received a BFA from The Juilliard School where she studied on a 4 year, full-tuition scholarship awarded by Tomorrow’s Leaders of America.
As a dancer, Lillian had an extensive performance career that took her to Europe, New York, and then finally to Los Angeles, where she founded BODYTRAFFIC with Tina Berkett. She has taught internationally for organizations such as CALARTS, Idyllwild Arts Academy, L’Artere and L’ecole de Danse in Quebec City, Lyon Opera Ballet, Northwest Dance Project, San Francisco
Conservatory of Dance, Southland Ballet Academy, The Wooden Floor, and UCLA’s department of World Arts and Cultures. Lillian is one of 28 teachers in the world who is certified to teach Anouk van Dijk’s groundbreaking Countertechnique. She has choreographed over 50 works for high schools, universities, competitions, regional ballet companies and professional modern dance companies throughout the US and Canada. She is currently on faculty at Loyola Marymount University.
Is originally from Colorado. He studied painting and composition at Lorenzo de’ Medici – The Italian International Institute for Fine Arts in Florence, Italy.
He received a Silas H. Rhodes Scholarship Award to go to School of Visual Arts (SVA) in Manhattan where he studied film writing, editing and directing. Grant received several grants from the AGFA film corporation for excellence in filmmaking, as well as, grants from FUJI and DuArt Film Labs.
He co-produced the play “In Search of Strinberg” for famed Swedish actress Viveca Lindfors at The Actors Studio.
Grant was accepted into the Sundance Film Festival with his short film, RUBEN, that took him to film festivals in France, Japan, Korea, Spain, Canada, and Germany, with honorable mentions from the Los Angeles Film Festival, Deauville International Film Festival, Newport Film Festival, Tokyo-American Short Shorts Film Festival, Puchone Film Festival, and the Wine Country Film Festival.
Grant’s first experience as a documentary cinematographer and director was at MTV and PBS creating artist profiles. As co-creative director of Urban Box Office, he created documentary projects with a focus on new and upcoming talents in the art and music world. He have worked as a documentary cinematographer for over 20 years in television and feature films, including: the Goodwill Games, Habitat for Humanity with President Jimmy Carter, network shows such as Showbiz Mom’s and Dad’s, Bridezilla, Airline, Mystery ER, Before the Music Dies, Living Liberal In Kansas, Bettie Paige Reveals All and the Oscar award winning SICKO directed by Michael Moore.
Grant directed the award winning short film, SLAP, which is currently on a Museum ExhibitionTour¡ Tribeca’s premier of America: Now and Here. Grant’s feature film about Missy Franklin’s rise in the swimming world, Touch the Wall, which has received critical acclaim at film festivals throughout the world and screened on OWN (the Oprah Winfrey Network), is currently available on Netflix and iTunes.
Grant is committed to a helping the environment and regularly volunteers with Heal the Bay, organizes beach cleanups, and creates PSA’s for environmental non-profits. Grant put these experiences and observations into a venture Earth Protect, a website that uses video and social media to inspire people to take actions in their lives that will lead to a sustainable future.
Started dancing at the International School of Dance of Carmen Roche Scaena in Madrid on a scholarship sponsored by the Ministerio de Cultura de Madrid. Guzmán danced with Ballet Joven de Carmen Roche until 1999, when he was offered a scholarship to attend the School of American Ballet (SAB). After his time at SAB, Edward Villella invited him to dance with Miami City Ballet. From 2002 to 2007, Guzmán danced with Companhia Portuguesa de Bailado Contemporaneo. In 2007, with André Mesquita and Teresa Alves da Silva, Guzmán co-founded a cultural platform, Tok’Art. He has performed extensively as a guest artist throughout Europe. He teaches ballet, yoga, and movement
workshops. Guzmán is currently BODYTRAFFIC’s resident filmmaker and has won awards for his film work. Guzman is a senior company member who joined BODYTRAFFIC in 2012.