Pedro began his studies at the National Conservatory of Lisbon, working with teachers including Mikahall Zavialova, Irina Zavialova, Catarina Moreira, and José Luís Vieira, among others. In 2014, he won the 3° prize at Tanzolymp Competition in Berlin. He received his diploma in 2015 and continued on to earn a degree from School Superieure de Danse de Cannes Rosella Hightower. Pedro joined the junior ballet Rosella Hightower DNSP3 for one year and then went on to join the Ballet Nacional de Marseille, where he worked with Emio Greco and Pieter C. Scholten until 2018. In 2019, he joined Companhia Portuguesa de Bailado Contemporaneo, under the direction of Vasco Wellenkamp. Most recently, Pedro has worked with choreographers Nelia Pinheiro and André Mesquita, and joined Quórum Ballet for one season where he worked with Daniel Cardoso and Lior Tavori.

Katie graduated from The Juilliard School in 2017 and trained at New World School of the Arts, Dance Town Studios Miami, San Francisco Conservatory of Dance, and Springboard Danse Montréal. After graduation from Juilliard, she was a member of Parsons Dance for two and a half years and performed in her own collaborative works. Katie has taught master classes at such institutions as Yale University, New York University, Akron University, Florida State University, and Hunter College. In pursuing her passion for community outreach, she participated in GLUCK and TAP for Life, programs allowing her to perform in NYC and Miami hospitals and wellness centers. In 2016, she orchestrated a project in Botswana, where she taught dance and special education movement therapy classes for children. She has also presented her co-produced dance films with Joan Rodriguez at the Blacktinx Dance Festival, Solo Due Dance Festival, Dumbo Dance Festival, and at an NYC art gallery with mixed media artist Anna Khachatryan.

Alana is a founding member of Vitacca Dance Project under the direction of Kelly Ann Vitacca and trained under Ballet Master Phillip Broomhead while attending the High School of Performing and Visual Arts. In 2014, Alana was accepted on scholarship and trained with American Ballet Theatre and Dance Theatre of Harlem. Thereafter, Alana was accepted on scholarship to SUNY Purchase Conservatory of Dance, where she received her BFA. While at Purchase, she was invited into the ballet concentration where she performed and studied works by George Balanchine, Norbert De la Cruz, Michelle Ulerich, and Colby Damon. She has also trained with Ballet X, Complexions Contemporary Ballet, Hubbard Street Dance, and Arts Umbrella. Alana earned her BFA and began her professional career with Visceral Dance Chicago.

Ty has dedicated 13 years of his life to versatile dance training at The Gold School Dance Art under the direction of Rennie Gold. Ty received a BFA in Contemporary Dance from The Boston Conservatory at Berklee on full scholarship. During his time at The Boston Conservatory, he worked with and performed works by such acclaimed choreographers as Darrell Moultrie, Catherine Coury, Bradley Shelver, Adrianne Hawkins, and Martha Nichols. Immediately after graduation, he was featured in on-site dance film productions with choreographers Roderick George, Ashley Lindsay, and Antonio Brown. He has had the honor of being a guest artist with The Limón Dance Company and an active artist with a little house dance company.

Joan graduated from the Escuela Nacional de Arte with the “Best Graduate of the Year” award. His professional career began with DanzAbierta, and he went on to join Malpaso Dance Company. He became a political refugee in 2017 and relocated to Arizona, where he focused on creating, teaching, and producing multimedia projects. He has also served as a Guest Artist in Residency for universities and arts centers throughout the U.S. and has received awards in several dance competitions. In 2019, he joined Parsons Dance and choreographed an original work for the company as part of the 2019 GenerationNow fellowship program. Throughout 2020 and 2021, Joan has focused on freelancing in dance, teaching, and videography. Joan is currently on his second season with BODYTRAFFIC in Los Angeles. He continues pursuing his creative ambitions in community spaces and with students, and developing his craft, choreographing in a variety of environments for professional dance companies, live theater productions, and television and film.

Jordyn is a Los Angeles-based dancer and choreographer who studied at The Dance Theatre of Jacksonville before continuing to train throughout the US and in Israel and Europe. She has danced for Ate9, Freemove Dance, tedted Performance Group and Mg+artists. In 2021, Jordyn performed at the Kennedy Center for the Performing Arts in a production of the opera Prism, under the direction of Beth Morrison Projects. She has toured as a backup dancer with the Los Angeles band Half Alive in a piece choreographed by The JA Collective and has created new works with Bryan Arias for the Arias Company. Along with choreographers Dana Wilson, Ebony Williams, and Christopher Scott, she appeared in the recent film production of In The Heights. Jordyn has taught at highly respected institutions and collectives like Peridance Capezio Center, Brickhouse, and The University of the Arts. Most recently, she was a guest artist with Ate9 in its premiere of Joy at the Wallis Annenberg Center for the Performing Arts.

Whitney received a BFA from The Juilliard School in 2016 and is currently an MFA candidate at UC Irvine. A performer, choreographer, and movement educator, she has performed works by such revered contemporary choreographers as Merce Cunningham, Jirí Kylián, Kyle Abraham, Camille A. Brown, Peter Chu, Kate Weare, Eliot Feld, and Bobbi Jene Smith. She danced with Brian Brooks Moving Company in performances at the 2015 Chicago Dancing Festival and the Hudson Valley Dance Festival and has appeared with MOMIX. Whitney is enthusiastic about exploring the profound connections between the mind and body, especially within the realms of science, somatic practices, and storytelling.